Tattoo Artist

A tattoo is a design or marking made by the insertion of a pigment into punctures or cuts in the skin. In technical terms, tattooing is micro-pigment implantation. Tattoos are a type of body modification.

The word is traced to the Tahitian tatu or tatau, meaning to mark or strike (the latter referring to traditional methods of applying the designs). In Japanese the word used for traditional designs or those that are applied using traditional methods is irezumi ("insertion of ink"), while "tattoo" is used for non-Japanese designs.

Most tattoo enthusiasts refer to tattoos as tats, ink, art or work, and to tattooists as artists. This usage is gaining support, with mainstream art galleries holding exhibitions of tattoo designs and photographs of tattoos.

Tattoo designs that are mass produced and sold to tattoo artists and studios and displayed in shop are known as flash.

Prevalence
Tattoos have become increasingly popular in recent decades in many parts of the world, particularly in North America, Japan, and Europe. The growth in tattoo culture has seen the influx of new artists into the industry, many of whom have technical and fine art training, and that coupled with advancements in tattoo pigments and the ongoing refinement of the equipment used for tattooing has led to a marked improvement in the quality of tattoos being produced. Movie stars, models, popular musicians and sports figures are just some of the people in the public eye who are commonly tattooed, which in turn has fueled the acceptance of tattoos within mainstream popular culture.

In many traditional cultures tattooing has enjoyed a resurgence, partially in deference to their cultural heritage. Historically, a decline in traditional tribal tattooing in Europe occurred with the spread of Christianity. A decline often occurred in other cultures following European efforts to convert aboriginal and indigenous people to Western religious and cultural practices that held tattooing to be a "pagan" or "heathen" activity. Within some traditional indigenous cultures, tattooing takes place within the context of a rite of passage between adolescence and adulthood.

Diversity
Tattooing has been a nearly ubiquitous human practice. The Ainu, the indigenous people of Japan, wore facial tattoos. Tattooing was widespread among Polynesian peoples, and in the Philippines, Borneo, Africa, North America, South America, Mesoamerica, Europe, Japan, and China.

Tattooing in prehistoric times
Tattooing has been a Eurasian practice since Neolithic times. "Ötzi the Iceman", dated circa 3300 BC, exhibits possible therapeutic tattoos (small parallel dashes along lumbar and on the legs). Tarim Basin (West China, Xinjiang) revealed several tattooed mummies of a Western (Western Asian/European) physical type. Still relatively unknown (the only current publications in Western languages are those of J P. Mallory and V H. Mair, The Tarim Mummies, London, 2000), some of them could date from the end of the 2nd millennium BCE.

Three tattooed mummies (c. 300 BCE) were extracted from the permafrost of Altaï in the second half of the 20th century (the Man of Payzyrk, during the 1940s; one female mummy and one male in Ukok plateau, during the 1990s). Their tattooing involved animal designs carried out in a curvilinear style. The Man of Pazyryk was also tattooed with dots that lined up along the spinal column (lumbar region) and around the right ankle.

Tattooing in the ancient world

Europe

Pre-Christian Germanic, Celtic and other central and northern European tribes were often heavily tattooed, according to surviving accounts. The Picts were famously tattooed (or scarified) with elaborate dark blue woad (or possibly copper for the blue tone) designs. Julius Ceasar described these tattoos in Book V of his Gallic Wars (54 BCE).

Ahmad ibn Fadlan also wrote of his encounter with the Scandinavian Rus' tribe in the early 10th century, describing them as tattooed from "fingernails to neck" with dark blue "tree patterns" and other "figures." During the gradual process of Christianization in Europe, tattoos were often considered remaining elements of paganism and generally legally prohibited.

According to Robert Graves in his book The Greek Myths, tattooing was common amongst certain religious groups in the ancient Mediterranean world, which may have contributed to the prohibition of tattooing in Leviticus.

Japan

Tattooing for spiritual and decorative purposes in Japan is thought to extend back to at least the Jomon or paleolithic period (approximately 10,000 BCE) and was widespread during various periods for both the Japanese and the native Ainu. Chinese visitors observed and remarked on the tattoos in Japan (300 BCE).

Middle East

An archaic practice in the Middle East involved people cutting themselves and rubbing in ash during a period of mourning after an individual had died. It was a sign of respect for the dead and a symbol of reverence and a sense of the profound loss for the newly departed; and it is surmised that the ash that was rubbed into the self-inflicted wounds came from the actual funeral pyres that were used to cremate bodies. In essence, people were literally carrying with them a reminder of the recently deceased in the form of tattoos created by ash being rubbed into shallow wounds cut or slashed into the body, usually the forearms.

Reintroduction in the Western world

Between 1766 and 1779, Captain James Cook made three voyages to the South Pacific, the last trip ending with Cook's death in Hawaii in February, 1779. When Cook and his men returned home to Europe from their voyages to Polynesia, the salons of Paris and London were soon abuzz with tales of the 'tattooed savages' that Cook and his men had seen on their travels and discovered in previously unknown lands. Crew members of those voyages returned with more than just fabulous tales of what they had seen, many of the sailors returned with tattoos.

Cook's Science Officer and Expedition Botanist, Sir Joseph Banks, returned to England with a tattoo. Banks was a highly regarded member of the English aristocracy and had acquired his position with Cook by putting up what was at the time the princely sum of some ten thousand pounds in the expedition. In turn, Cook brought back with him a tattooed Tahitian chief, whom he presented to King George and the English Court. Many of Cook's men, ordinary seamen and sailors, came back with tattoos, a tradition that would soon become associated with men of the sea in the public's mind and the press of the day. In the process sailors and seamen re-introduced the practice of tattooing in Europe and it spread rapidly to seaports around the globe.

It was in Tahiti aboard the Endeavour, in July of 1769, that Cook first noted his observations about the indigenous body modification and is the first recorded use of the word tattoo. In the Ship's Log Cook recorded this entry : "Both sexes paint their Bodys, Tattow, as it is called in their Language. This is done by inlaying the Colour of Black under their skins, in such a manner as to be indelible."

Cook went on to write, "This method of Tattowing I shall now describe...As this is a painful operation, especially the Tattowing of their Buttocks, it is performed but once in their Lifetimes."

The English Royal Court must have been fascinated with the Tahitian chief's tattoos because King George V himself got inked with the 'Cross of Jerusalem' when he traveled to the Middle East in 1862. On a trip to Japan he also received a dragon on the forearm, from the needles of an acclaimed Japanese tattoo master. George's sons, The Duke of Clarence and The Duke of York were also tattooed in Japan while serving in the British Admiralty, solidifying what would become a family tradition.

Taking their sartorial lead from the British Court, where King Edward VII followed King George V's lead in getting tattooed; King Frederik IX of Denmark, the King of Romania, Kaiser Wilhelm II, King Alexandar of Yugoslavia and even Czar Nicholas of Russia, all sported tattoos, many of them elaborate and ornate renditions of the Royal Coat of Arms or the Royal Family Crest. King Alfonso of modern Spain also has a tattoo.

Tattooing spread among upper classes all over Europe in the nineteenth century, but particularly in England where it was estimated in Harmsworth Magazine in 1898 that as many as one in five members of the gentry were tattooed. There, it was not uncommon for members of the social elite to gather in the drawing rooms and libraries of the great country estate homes after dinner and partially disrobe in order to show off their tattoos. Aside from her consort Prince Albert, there are persistent rumours that Queen Victoria had a small tattoo in an undisclosed 'intimate' location; Denmark's king Frederick was filmed showing his tattoos taken as a young sailor. Winston Churchill's mother, Lady Randolph Churchill, not only had a tattoo of a snake around her wrist, which she covered when the need arose with a specially crafted diamond bracelet, but had her nipples pierced as well. Carrying on the family tradition, Winston Churchill was himself tattooed. In most western countries tattooing remains a subculture identifier, and is usually performed on less-often exposed parts of the body.

The electric tattoo machine

The modern electric tattoo machine is far removed from the machine invented by Samuel O'Reilly in 1891. O'Reilly's machine was based on the rotary technology of the electric engraving device invented by Thomas Edison. Modern tattoo machines use electromagnetic coils. The first coil machine was patented by Thomas Riley in London, 1891 using a single coil. The first twin coil machine, the predecessor of the modern configuration, was invented by another Englishman, Alfred Charles South of London, in 1899.

Secular attitudes
Some employers, especially in professional fields, still look down on tattoos or regard them as contributing to an unprofessional appearance. Tattoos can therefore impair a wearer's career prospects, particularly when inked on places not typically covered by clothing, such as hands or neck.

In some cultures, tattoos still have negative associations, despite their increasing popularity and are generally associated with criminality in the public's mind; therefore those who choose to be tattooed in such countries usually keep their tattoos covered for fear of reprisal. For example, many businesses such as gyms, hot springs and recreational facilities in Japan still ban people with visible tattoos. Tattoos, particularly full traditional body suits, are still popularly associated with the yakuza (mafia) in Japan. In Western cultures as well, some dress codes specify that tattoos must be covered.[1] At least according to popular belief, most triad members in Hong Kong have a tattoo of a black dragon on the left bicep and one of a white tiger on the right; in fact, many people in Hong Kong use "left a black dragon, right a white tiger" as a euphemism for a triad member. It is widely believed that one of the initiation rites in becoming a triad member is silently withstanding the pain of receiving a large tattoo in one sitting, usually performed in the traditional "hand-poked" style.

In the USA many prisoners and criminal gangs use distinctive tattoos to indicate facts about their criminal behavior, prison sentences, and organizational affiliation. This cultural use of tattoos predates the widespread popularity of tattoos in the general population, so older people may still associate tattoos with criminality. At the same time, members of the US military have an equally established and longstanding history of tattooing to indicate military units, battles, etc., and this association is also widespread among older Americans.

Purpose

Human history shows that tattoos have served in many diverse cultures as rites of passage, marks of status and rank, symbols of religious and spiritual devotion, decorations for bravery, sexual lures and marks of fertility, pledges of love, punishment, amulets and talismans, protection, and as the marks of outcasts, slaves and convicts.

Today, people choose to be tattooed for cosmetic, religious and magical reasons, as well as a symbol of belonging to or identification with particular groups. Some Māori still choose to wear intricate moko on their faces. People have also been forcibly tattooed for a variety of reasons. The best known is the ka-tzetnik identification system for Jews in part of the concentration camps during the Holocaust.

European sailors were known to tattoo the crucifixion on their backs to prevent flogging as a punishment as at that time it was a crime to deface an image of Christ.

Tattoos are also placed on animals, though very rarely for decorative reasons. Pets, show animals, thoroughbred horses and livestock are sometimes tattooed with identification marks, and certain of their body parts (for example, noses) have also been tattooed to prevent sunburn. Such tattoos are performed by veterinarians and the animals are anaesthetized to prevent pain. (Branding would not be considered a tattoo since no ink or dye is inserted).

Procedure

Modern tattoo machine in use: here outfitted with a 5-needle setup, but number of needles depends on size and shading desiredSome tribal cultures still create tattoos by cutting designs into the skin and rubbing the resulting wound with ink, ashes or other agents. This may be an adjunct to scarification. Some cultures create tattooed marks by "tapping" the ink into the skin using sharpened sticks or animal bones. Traditional Japanese tattoos (irezumi) are still "hand-poked," that is, the ink is inserted beneath the skin using non-electrical, hand-made and hand held tools with needles of sharpened bamboo or steel.

The most common method of tattooing in modern times is the electric tattoo machine. Ink is inserted into the skin via a group of needles that are soldered onto a bar, which is attached to an oscillating unit. The unit rapidly and repeatedly drives the needles in and out of the skin, usually 50 to 3,000 times a minute.

Permanent cosmetics

Permanent cosmetics are tattoos that enhance eyebrows, lips (liner or lipstick), eyes (shadow, mascara), and even moles, usually with natural colors as the designs are intended to resemble makeup.

"Natural" tattoos

According to George Orwell, workers in coal mines would wind up with characteristic tattoos owing to coal dust getting into wounds. This can also occur with substances like gunpowder. Similarly, a traumatic tattoo occurs when a substance such as asphalt is rubbed into a wound as the result of some kind of accident or trauma. These are particularly difficult to remove as they tend to be spread across several different layers of skin, and scarring or permanent discoloration is almost unavoidable depending on the location. In addition, tattooing of the gingiva from implantation of amalgam particles during dental filling placement and removal is possible and not uncommon.

Temporary tattoos

Temporary tattoos are a type of body sticker, like a decal. They are generally applied to the skin using water to transfer the design to the surface of the skin. Temporary tattoos are easily removed with soap and water or oil-based creams, and are intended to last a few days.

Other forms of temporary "tattoos" are henna tattoos, also known as Mehndi, and the marks made by the stains of silver nitrate on the skin when exposed to ultraviolet light. Both methods, silver nitrate and henna, can take up to two weeks to fade from the skin.

Dyes and pigments

Placing the color names on a color wheel helps the artist visualize the palette
A simple small tattooFor the tattooing, a wide range of dyes and pigments can be used; from inorganic materials like titanium dioxide and iron oxides to carbon black, azo dyes, and acridine, quinoline, phthalocyanine and naphthol derivates.